What Do I Know? The Band
There's not a lot of live jazz on radio, and having worked with
John and Jeff all these years I now know why. Oh, I'm very fond of them,
and they're both great guys, but, let's face it, they belong to the species
Homo musicus (musical man) a slightly gnarly branch of the evolutionary
tree. Having known a lot of them over the years, the thing that
continues to startle me about your typical musician is his superiority
complex. I mean, with surgeons you could understand it, but these are guys
who don't have your life in their hands, they have your sister. They live
off nurses, legal assistants and other working women and take perverse
pride in not holding a job. Speaking strictly of the male of the species,
he went into music in the first place as a way to meet women and, much to
the rest of our chagrin(s), it works.
Every musician has a vein of women
in love with his instrument; their job -- mine it. There are women who love
drummers, women who love keyboard players!, even (shudder) women who love bass players. Although I haven't met one, I am sure there are women who love timpanists. Since music is the
universal language, it works on women everywhere.
Let it also be said that
musicians also attract those who would like to reap the benefits of the
profession without the inconvenience of learning to play, and I'm not just
saying this because I've shlepped an amp or two in my day. This generally
doesn't work; you're better off trying to make a lot of money, which is
also a biological advantage, times being what they are (then you will have
the additional artistic opportunity to loan money to a musician; see debts,
uncollectible).
Despite this (or because of it) there is the music, which, in the case
of John and Jeff (and Brother Clyde on the road) is certainly good if you
like that kind of thing. And a lot of people do. Every time I toy with the
idea of changing to a folk or champagne music format, they come out of the
woodwork in legions.
I myself enjoy the spontaneous nature of jazz, and,
even after hearing the same songs dozens of times, I still feel that way.
Bass solos I can live without, but it's better than having the guy talk.
John and Jeff (or Mutt and . . . as we affectionately call them among
ourselves) are kind of like a couple, squabbling, making up, squabbling
again. But when they get together something magical happens; someday, I
predict, this will happen in the music, too.